I went into Glasgow yesterday, to attend a couple of screenings at the Glasgow Film Festival. I was particularly keen to check out Olivier Assayas’s new movie Personal Shopper, and after having (finally) caught up with Local Hero last summer, the opportunity to see Bill Forsyth’s rarely screened adaptation of Marilynne Robinson’s Housekeeping seemed too good to miss.
In the event, the Forsyth proved the superior movie by far – emotionally rich and beautifully photographed, it put the curiously affectless, all-surface Personal Shopper in the shade. After the Festen-tense drama of Summer Hours and the intense, dramatic weirdness of The Clouds of Sils Maria, Assayas’s handling of the ghost story elements in his new venture seemed altogether too conventional, too trope-y, while the ‘sad lives of the super-rich’ plot strand that didn’t bother me overmuch in Clouds (because the emotional drama felt so convincing) here played out like a much less successful recapitulation of Sofia Coppola’s The Bling Ring (which did at least demonstrate a modicum of irony). The Neon Demon, only less in your face and therefore less gripping.
The weirdest thing for me about Personal Shopper was the music that accompanied the closing credits: Anna von Hausswolff’s ‘Track of Time’, the very same track that, with its accompanying video, directly inspired a recently completed short story of mine. More on that, hopefully, soon.
As much as the movies themselves, the best thing about yesterday was being in the Glasgow Film Theatre, the number one indie film venue in the country and a joyous early discovery for me in our new life here in Scotland. Taking the ferry and the train from Rothesay to Glasgow is made special precisely through being not special: this is a normal, regular commuter route, a well-worn connection between the island and the mainland that has existed and thrived for several centuries. Our two regular ferries – the MV Bute and the MV Argyle – were built in Gdansk and sail roughly once an hour in both directions. They are a constant and regular presence in our life here and one can’t help but feel a strong and immediate affection for them.
Before moving here I’d not been in Glasgow for more than ten years and so had trace memories only. Since coming to live on Bute, I’ve been into the city twice already and the connection feels immediate and strong. What I place. There is enough here – of history, of psychogeography, of culture – to fill several lifetimes. I am already making notes on all manner of subjects – even notes about notes I need to make notes about. If there has been anything lacking in our time here so far it is simply hours in the day. There is so much to think about, to discover.
One of the (many) upsides to being involved with the shadow Clarke jury is that it’s the first thing that has made me feel normal – i.e like the world around me is something I recognise – since June 24th last year. While the planet’s most obnoxious internet troll continues to host his clowns’ tea party in the White House, and while the Westminster government continues hell bent on its mission to transport Britain back to the 1950s (a mission every politically literate person in the country – and a good few out of it – knows is batshit crazy), we can at least still read, we can still write, we can still cogently criticise what we read and write. (Abigail Nussbaum’s similar thoughts on nominating for the Hugos are well worth reading.)
We’ll start seeing the first of the shadow jury’s personal shortlist posts going live this week. And while you’re waiting to find out what we’ve picked, why not have a stab at guessing the official @ClarkeAward shortlist? The award’s director, Tom Hunter, has come up with a competition: guess the official shortlist in its entirety and win copies of all six books! The contest is made all the more tantalising by the fact that to date, no one has ever managed to do this. So try and be the first. The competition is being hosted along with the shadow jury at the ARU Centre for Science Fiction and Fantasy. Just post your guesses in the comments to enter.