As some of you may know, Strange Horizons are currently in the thick of their annual fund drive. Strange Horizons, one of the longest-running speculative fiction magazines on the internet, is staffed entirely by volunteers. Profits from the fund drive are spent on paying writers, expanding the scope and variety of current content, and initiating new projects.
It is no exaggeration to say that it was Strange Horizons that inspired me to get back into writing science fiction criticism. From the moment I first became aware of the magazine in the middle 2000s, the quality, diversity and insight of SH’s critical content was a stand-out for me. I’ve now been reading Strange Horizons regularly for a decade (gulp) and I’ve seen the range and depth of its coverage increase, gaining new confidence and insight year on year. Strange Horizons now boasts a quite remarkable roster of reviewers, both old (and not so old) regulars and an increasing number of new voices. I am enormously proud to be one of them. Again, it is no exaggeration to say that I cannot imagine the landscape of SFF without Strange Horizons.
Please give what you can to keep this remarkable institution running – or help by spreading the word. A growing number of our most inspirational fiction writers can count a sale to Strange Horizons as their first published story. As a reader, writer and critic, I know i’ll keep returning to Strange Horizons, that that first glimpse of the new issue will continue to be a highlight of every Monday.
Just in case you need more convincing, here is a brief selection of some of my personal SH highlights in critical writing from 2017 so far:
The Unthinkability of Climate Change: thoughts on Amitav Ghosh’s The Great Derangement by Vandana Singh. Possibly the most important essay Strange Horizons has yet published.
Deserts of Fire: Speculative Fiction and the Modern War edited by Douglas Lain by Samira Nadkarni. Again, a vital piece of work, raising important questions about the Western-centric nature of so many SF dystopias, post-apocalyptic scenarios and war writing generally.
Blair Witch by Shannon Fay. As a massive fan of the original film, and one who still can’t quite believe this pointless sequel was even green-lighted, I found Fay’s analysis highly enjoyable and critically spot on.
Alien: Covenant by Mazin Saleem. Still on film, I’ve rarely had more fun reading a review, especially a review of a film I hated. Saleem’s knowledge, sense of irony and sheer joy in his subject matter is a rare delight. For another side of Saleem’s criticism, see his equally excellent review of Hassan Blasim’s anthology Iraq+100.
The Queue by Bazma Abdel Aziz by Gautam Bhatia. I’ve not read this book yet but it is very much on my reading list, and I can’t not mention Gautam Bhatia, who is one of the finest critics on SH’s roster. I live in hope that he will agree to be a Sharke when the Sharkes swim again because that would be something to see…
Thank you, Strange Horizons, and all who sail in her. Here’s looking forward to another year of great fiction, great criticism, great SFF.